Does this sound familiar?
You have trouble synchronizing your hands.
You mess up that string change on the fast run 9 times out of 10.
You're frustrated by the lack of consistency in your picking technique.
You don't know how and what to practice to actually get the results you want.
I've been there myself and know how frustrating it can be!
After finding the solutions for myself and then helping countless students over the years to level up their picking technique it's time to share that knowledge through this subscription course.
I’ll share my best technique builders, practice techniques, practice schedules, systematic practice, combining technique practice with fretboard knowledge and ear-training, and much more.
We'll cover among other things:
- 1, 2, 3, and 4 notes per string patterns.
- Pentatonic scales
- Major, Melodic & Harmonic Minor scales
- How to practice
- How to put together a practice routine for your level
- Strategies for building speed
- How to find problem areas and design exercises to overcome them
You can ask questions directly on each lesson so I can help you as soon as possible.
If you’re serious about your instrument this subscription is for you.
In this subscription, I'll share all my best practices and routines that helped not only me but hundreds of students in the last 20 years.
The reason I keep this as a subscription is so I can be available to answer any questions you might have. Simply comment below the particular lesson and I'll come back and help you ASAP.
Detailed Tab
Everything notated in detail so you don't overlook or miss anything. Also available as guitar pro and midi files in the zip file for each lesson.
Scale Diagrams
Scale diagrams are available for download so you can memorize and apply what you learn quicker.
Lick Of The Week
Weekly licks so you can try out your newfound chops on some fun and musical runs.
How I Developed My Picking Technique
When I started out way back in 1992 I was lucky enough to borrow a copy of Vinnie Moore’s first instructional video. This was the very first video I saw and it set quite a high standard right from the get-go to say the least.
At the end of this video, he shows his alternate picking routine that he did daily for quite some time and clearly with great results. The routine itself was good but more than that, it showed me a methodology on how to work on your technique and not rely on only trying to learn licks.
I started working on this daily and then expanded it with other exercises, all played at a slow tempo. I realized quite quickly that getting the synchronization down perfectly was a huge priority since that’s the key to a great-sounding picking technique.
I first thought that I’d start very slowly and then gradually increase the tempo until several months later where I would be a guitar hero. I even tried to do the guitar magazine prescribed “start slow, raise the metronome speed and work on increasing your edge tempo” type practicing on some licks from songs I liked. This never worked for me and I always ended up with the nagging feeling that my practice session did more harm than good.
Frustrated and not really knowing how to get my speed up I simply kept practicing my (the revised Vinnie Moore one) routine daily and kept learning new licks I liked even though I couldn’t play them up to tempo at all.
After a few weeks of this, I noticed something curious.
Even though I hadn’t pushed the tempo at all in my daily routine, and only played the licks I was learning as a treat for making it through the routine for that day. The licks started to sound and feel much better, and also I found that day by day, week by week I was able to play them faster and faster without working on them specifically.
This changed everything for me and I believe this way of practicing is what really built a solid technique that I can rely on.
I’ve seen the same results in 100’s of students as well and it all really comes down to if you’re disciplined enough to do the work or not.
I’ve since discovered other ways of practicing that’ll speed up the process and enable you to find your problem areas but the core of my technique building is still these long-form picking routines. It’s not necessarily fun but the results speak for themselves if you put the work in.
If you’re curious about this way of practicing and also want to find out about my other strategies you can find all of it in my Alternate Picking Deep Dive subscription. Now with the Teachable version, you can post comments on each lesson so I can help you out if you get stuck or just want some encouragement. Hope to see you there!
/Jon
Lessons:
- Basic Picking Routine (16:37)
- Synchronization Routine (13:39)
- Groups of Four and 3rds (10:43)
- 100 Reps Routine: Ascending & Descending Sixes (8:11)
- 100 Reps Routine. Pentatonic Ascending & Descending 4's (8:24)
- 2 Octave Sixes Routine (8:14)
- The Loop Method: 3 String Arpeggios in A Major (6:29)
- The Loop Method - 3 String Arpeggios in A Minor (3:26)
- Traveling Accents 3 NPS String Crossing Routine (6:34)
- Systematic 3 NPS String Skipping Routine (6:23)
- Yngwie Style Single String Groups Of Four (8:18)
- Yngwie-Style Single String Groups Of Six - E Minor (6:39)
- Diminished & Whole Tone Routine (8:28)
- Intense Rock Routine #1 (7:30)
- 4x 3x 2x 1x C Major & Minor Picking (4:15)
- G Major 3 Octave 3NPS Accents Routine (4:54)
- Systematic Groups Of Nine Routine (4:28)
- String Crossing Routine (5:39)
- Single String Chopbuilder (8:22)
- Fixed Finger Single String Routine (9:42)
- Adjacent String Crossing Routine (6:23)
- Systematic 3 NPS Sequence Routine (10:32)
- #1: E Dominant Pentatonic Run (6:00)
- #2: C Lydian Run (5:37)
- #3 E Minor Pentatonic Run (3:52)
- #4: D Aeolian Run (4:20)
- #5: E Aeolian Run (4:43)
- #6: B Melodic Minor Run (5:22)
- #7: Wide Interval D Minor Run (6:11)
- Lick Of The Week #8: E Aeolian Run (4:29)
- Lick Of The Week #9 E Aeolian Run
- Lick Of The Week #10: Big A Aeolian Run
- Lick Of The Week #11 E Minor Run
- Lick Of The Week #12 B Minor Pentatonic Run
- Lick Of The Week #13 B Harmonic Minor Run
- Lick Of The Week #14: 3 Octave E Aeolian Run
- How to effortlessly alternate pick cleaner & faster
- How to improve your synchronization and approach longer lines
- How To Massively Improve Your String Crossing Technique
- How to improve your picking technique faster by using lick variations
- Overcoming Plateaus & Increasing Your Speed
- Improve faster by using practice variations
- My Favourite Daily Alternate Picking Synchronization Practice Routine
- Learn THE Classic Alternate Picking Exercise (the first one I actually could play fast!)
- String Crossing Problems? Try this exercise.
- Alternate Pick Cleaner & Faster - Try This Exercise
- The Steve Vai Picking Exercise
- Pentatonic Shred Guitar Lick
About Me
Started playing in January of 1992 in the small town of Ljusdal in the middle of Sweden. My dad was a guitar player and taught me the first few chords and how to alternate pick. After discovering Yngwie in the summer of that year, the guitar became the most important thing.
Spent the next 3 years practicing like a madman while discovering other big influences like John Petrucci, Steve Vai, Vinnie Moore, Jason Becker, Tony MacAlpine, and Kee Marcello to name just a few.
In August of 1995, I traveled to Los Angeles to study at G.I.T for a year, met a lot of cool people there, and studied with Brett Garsed and T.J Helmerich as much as I could.
Spent a year back home playing in cover bands and an original instrumental band. Moved to Stockholm in 1998 and started the band Mankind with singer Magnus Lindblom, Johan Liefvendahl, Andreas Blomqvist, and Johnny Sandin. The latter three went on to start the progressive metal band, Seventh Wonder, after Mankind disbanded.
Studied with George Bellas via cd-rom and phone lessons during most of 1998-99. Started teaching guitar privately in 2001 and spent 6 years doing that full time. Got interested in orchestral composition around 2005-2006 and started studying that seriously two years later. Spent 2009-2015 composing close to 700 2 minute tracks for the Epidemic Sound music library, mostly in the film/orchestral vein.
During this time I hardly played guitar and only did some sessions for friends. I got gradually more interested in guitar again in late 2015 and upon starting my Instagram a few months later the desire to practice and really take it as far as possible started up in a big way. I believe I play for the right reason again because it’s fun and not because I need to prove anything.
I spend my days teaching guitar and orchestral composition over Skype as well as making lessons/clips for my Instagram and YouTube channels.